(Source: monolithzine)
Wasn’t there long enough to see this - amazing man made rain in a room is now at the MOMA PS1!!
my #fashion week trend spot - analogue faders, colours, buttons and lines - 💜💛💜 - i love old things, especially the old grandad selling this bb! - gawk**^^ - equipment from the 70s are way more visionary than designs made today, oui non?
Mount Kimbie – You Took Your Time (ft. King Krule)
From the new album ‘Cold Spring Fault Less Youth’ out May 27 via Warp Records.
i love these non-intrusive graffiti sculptures. I think i might’ve seen this at boxhagnerstrasse, berlin. Love!
Galileo Galilei - The Great Starry Messenger, 1610
great new ones from Landon Metz
the smaller framed pieces will be on view at Cooper Cole Gallery (Toronto) from May 1st through the 25th.
(Source: revolvver)
Architectural photographer Liz Eve, shooting ballet for the first time. Wow. We love these strong and beautiful photos. Taken in the back room at Berghain (normally an unseen space). New production Masse, sees the Staatsballett Berlin in a very site specific performance. As you can imagine; dates are sold out, but if you are one of the lucky ones, enjoy!
We are proud to say Liz was a Pretty Neukölln exhibition contributor back in Feb, belong to where you are.
Photos: Liz Eve
Masse. Choreography: Nadja Saidakova, Xenia Wiest, Tim Plegge. Music: Henrik Schwarz, Marcel Dettmann & Frank Wiedemann, DIN (Efdemin & Marcel Fengler). Stage: Norbert Bisky. Costumes: Julia Mottl
(Source: traceloops)
Andreas Nicolas Fischer - Schwarm-VIII-07200-32; generative software; 2013
just because we stop talking about an issue, doesnt mean it’s gone. see yourself and your impact on the world around u —- wander wonder wednesday #love
Ausschreitungen!
Support a new project we’re creating for the Singapore soundscape - it’s not going to be friendly, happy show tunes that always seem to glide the airwaves here, we’re trying to release some wolves into the air-pack but not have it sound like it’s euro-dance. I say this because my impression of “techno” or anything related to the genre has been skewed since the first time i heard dance music on tv. Unfair, i know, but that’s how it worked when i was growing up - you hear things on tv, then you go look it up and that’s how you’re introduced to many different types of music. These days, they’ve substituted “tv” for “youtube”, which for me, works pretty much the same too.
Techno is such a broad genre yet there is always a clear division to what i like and what comes off as cheese or things that should just stay in the bedroom between channels. This project opens the sound of Berlin and East Europe, the things i’ve learnt from the city dwellers and musicians who share purity in their devotion to this genre. I hope you pick up some hints on why this makes so much more sense to me, than the uplifting and materialistic sounds we’re so overcrowded with, that we compromise on and that we actively “support” whilst unknowing supporting its undeserving growth.
That said, it’s really not satan’s music, it’s just not the kind of thing you would play at a wedding.
Ausschreitungen!
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Ausschreitungen Podcast #2 /// Hertogh /// 130503
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Created for the soundtrack of May Day non-celebrationals
Alva Noto - Uni C
Kryptic Minds - Varia
Plastikman - Disconnect (Alva Noto Remodel)
Regis - Blood Witness (M.J. Harris / Karl O’Connor Live Version, 8.2.11)
Female - Untitled (Regis Mix)
Kevin Gorman - Caracole (Lucy Remix)
Brendon Moeller - Far Out (Mike Parker Remix)
Underground Resistance - Final Frontier
VCMG - Spock (Regis Remix)
Raime - This Foundry (Regis Version)
Redshape - Dead Space (Next Door Ultra Dub)
Matmos - Teen Paranormal Romance
Para - The Dubbers
Cassegrain - Cotton (Sigha Remix)
Rrose - Cavity
Marcel Fengler - Thwack (Planetary Assault Systems Remix)
Shadows - Distorted Images (Mike Parker Rmx)
Abdulla Rashim - Awash River
For 4 days in april 2012 Soundwalk Collective also collaborated with Berghain (a former power plant in Berlin converted into to a club which is also currently our stable of choice for a quality night of aural assault) for a sound project called “Last Beat”. This experiment was carried out by sending frequencies and rhythm patterns to the sound system of the club between 98bd SPL and 108db SPL and thereafter a series of custom made contact mics were used to capture the vibrations and harmonics that resonated off the structures like pipes, handrails, walls and air ducts in the building. In turn it’s like using the building as an instrument itself.
The Collective is preparing a double-album split in three parts:
I. Raw Vibrations & Resonances
II. Treated Vibrations & Resonances
III. Rhythm Sequenced dancefloor friendly tracks, composed solely with the collected sounds of the shaking and resonating architectural structure of Berghain.
A few days back in Prague, i took a solo walking {getting lost} adventure through the old city and found a sentimental connection to its Art Nouveau gem of a train station, Praha hlavní nádrazí.
It was heavily under construction and while i was trying to find its Fantova Kavarna, i found hoardings of plans for the future terminal - hideously modern and characterless.
